Works
  • Gala Hills Sheep Shearing, 2025 Oil on canvas 80 x 130 cm
    Gala Hills
    Sheep Shearing, 2025
    Oil on canvas
    80 x 130 cm
  • Gala Hills Harpy, 2025 Oil on canvas 41 x 80 cm
    Gala Hills
    Harpy, 2025
    Oil on canvas
    41 x 80 cm
  • Gala Hills Baying Hounds, 2025 Watercolour on cotton paper Dimensions vary (roughly A3)
    Gala Hills
    Baying Hounds, 2025
    Watercolour on cotton paper
    Dimensions vary (roughly A3)
  • Gala Hills Mirror Sky, 2025 Oil on canvas 41 x 51 cm
    Gala Hills
    Mirror Sky, 2025
    Oil on canvas
    41 x 51 cm
  • Gala Hills Sea Monster, 2025 Watercolour on cotton paper Dimensions vary (roughly A3)
    Gala Hills
    Sea Monster, 2025
    Watercolour on cotton paper
    Dimensions vary (roughly A3)
  • Gala Hills Sea Monster (part 2), 2025 Watercolour on paper Dimensions vary (roughly A3)
    Gala Hills
    Sea Monster (part 2), 2025
    Watercolour on paper
    Dimensions vary (roughly A3)
  • Gala Hills Selkie, 2025 Oil on canvas 60 x 80 cm
    Gala Hills
    Selkie, 2025
    Oil on canvas
    60 x 80 cm
  • Gala Hills Spinster’s Rock, 2025 Oil on canvas 102 x 137 cm
    Gala Hills
    Spinster’s Rock, 2025
    Oil on canvas
    102 x 137 cm
  • Gala Hills Wodewose with Raven, 2025 Watercolour on cotton paper Dimensions vary (roughly A3)
    Gala Hills
    Wodewose with Raven, 2025
    Watercolour on cotton paper
    Dimensions vary (roughly A3)
  • Gala Hills Wodewose Woman, 2025 Oil on canvas 41 x 51 cm
    Gala Hills
    Wodewose Woman, 2025
    Oil on canvas
    41 x 51 cm
Overview
In Between Beasts and Stones, Gala Hills invites viewers into a world where myth and memory blur, and the boundaries between the human, animal, and elemental dissolve. Presented within the intimate setting of a Mayfair home, the exhibition brings together Hills’ smaller watercolours on cotton paper with her larger oil paintings on canvas, a dialogue between delicacy and depth, between fluid instinct and grounded myth.
Rooted in the rugged terrain of Dartmoor, where she was home-educated amid rocks, rain, and folklore, Hills’ practice braids together historical research and anarchic imagination. Her figures, half-creature, half-woman, inhabit landscapes charged with ancient energies: shapeshifting beings, stone guardians, and spectral hybrids emerge from washes of pigment as if unearthed from the soil itself. These scenes feel both ancient and immediate, like fragments of a forgotten epic rediscovered in the subconscious.
Hills’ approach resists boundaries, between disciplines, materials, and even species. In her hands, mythology becomes a living organism; paint turns to weather; the personal merges with the collective. The resulting works feel both tender and untamed, at once playful, tragic, and deeply alive.
Installed domestically rather than institutionally, Between Beasts and Stones invites viewers to experience myth as something intimate and continuous, a presence that seeps quietly into everyday life, like a tide rising through familiar rooms.